bangkok travel visa Travel Guide
Suan Saranrom Bangkok Thailand

Location: Where
Originally was a royal park in Saranrom Palace—a residence for he royal family and overseas guests in the reign of King Rama V, and a venue for winter fair in King Rama VI’s reign, Suan Saranrom has interesting monuments including the Memorial of King Rama V’s beloved Queen Sunatha and Princess Daughter Kannabhorn Petcharat in the southern center; the old Chiness-styled Shrine of Chao Mae Takianthong in the north; and the Plant School. Etc.
Open daily admissions free between 05.00-20.00 hours. From here is possible to walk to the

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Likay Traditional dance of thailand

If khon and lakhon are classical art, then likay is slapstick comedy performed
for the masses. The obvious lack of deep artistic talent is made up for with
unabashed exuberance and a strong sense of earthiness. A form of people’s
theater performed at most provincial fairs, likay relies heavily on predictable
plots, outrageous dou ble entendres, and lowball comedy. Perform ers interact
directly with the audience, which responds with raucous laughter at the
political sarcasm and sexual innuendo. Costumes worn by the untalented but
enthusiastic actors run from gaudy jewelery to heavy makeup. It is ironic that
television, the universal destroyer of tra ditional theater, has helped keep
likay alive by broadcasting daily performances of soapopera sophistication.
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Thailand traditional dance - Lakhon


Traditional dance of thailand lakhon
While khon is maleoriented and relies on virtu osity in strength and muscular
exertion, the court ly lakhon impresses its audience with feminine grace and
elegant fluidity. Lakhon presents episodes from the Ramakien, Manors folktales
of southern Thailand, and Lakhon Jatri itinerant folk dances used to exorcise
evil spirits. Lakhon is traditionally accompanied by a chorus and lead singers
instead of khonstyle recitation, though these distinctions are no longer
strictly followed. The costumes of elaborately embroidered cloth and glittering
ornaments surpass the brilliance of the khon. Actresses are unencumbered by
masks, allowing them to combine singing and dialogue with dance. Highly refined
body gestures display a complex encyclopedia of movements while emotion is conveyed by demure dartings of the eyes and highly stylized, very specific movements of the hands. The dance itself lacks the dramatic leaps and whirling pirouettes of Western ballet but a great deal of dramatic tension and sensuality are achieved by the movement of the upper torso. Khon and lakhon are often combined into grand shows for the benefit of both visitors and Thais.
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